1540 x 370 cm (horizontal wrap spectrogram) 330 x 1240 cm (vertical podium key)
Digital billboard visualisation of site-specific sonic patterns, displayed on the corner of Flinders Street and Elizabeth Street for the Fivex Art Prize, Melbourne, December 2020 - January 2021.
Peak Frequency is a hypnotic representation of our urban space, reflecting and distributing what is already there in pursuit of
encouraging critical awareness of the systematic and routine foundations of our public lives. The work is a spectrogram, time is represented
on the x-axis, sonic frequency on the y-axis, and decibel intensity is colour.
Algorithm that generates musical compositions from the air we all breathe, collaboration with Michael Kotsimbos and supported by the Yarra City Council, 2021.
Existing as a set of rules and functions, Anthroposphere can be thought of
as a synthetic orchestra, with air
pollutants as the instruments and our carbon footprint as the conductor. Currently, the algorithm has generated a digital album made entirely out of Melbourne 2020 air.
Instruments of Life
Two kinetic objects that interact with each other, solo exhibition at No Vacancy Gallery, Melbourne, 2019.
Instruments of Life is an investigation into our primal familiarity with technology. This installation is made up of two key components. Lamp
incorporates two distinctly different frequencies of light in motion:
one that attracts organic life, while the other repels it. Pickup is a custom microphone synthesizer that detects and translates electromagnetic waves (emitted by Lamp and any electrical device in its vicinity) to sound.
Black Box mixed media 75 x 55 x 55 cm
Feedback machine commisioned for ‘You Are Here’ group exhibition curated by Matthew Davis at Melbourne’s Living Museum of the West, 2019.
PA System that uses feedback as a means of addressing and responding to
the specificities of site. Affected by the proximity of listeners and
changes in atmospheric conditions, the sculpture amplifies the multiple
resonances of the site's architecture, social conditions and
Interactive audiovisual performance incorporating light, sound, and viewer proximity, collaboration with Mitchell Mackintosh at Grant Street Theatre, Melbourne, 2019.
Stemming from John Luther Adams’ ideas on ‘Sonic Geography’, Precipitations
is an immersive installation that uses light and sound to explore the
interconnectivity of our ‘internal’ psychological space and ‘external’